Byrdland

It was a disc jockey convention in Nashville, and the year was 1955. Gibson, Inc. had a booth demonstrating their new offerings, and ace session guitarists Hank Garland and Billy Byrd were sampling the merchandise. Then, according to Garland, Gibson rep Clarence Havenga asked the fateful question: "What would you like in a guitar that we don't already have?" By the time the three had finished brainstorming, a new guitar was born.

Christened the Byrdland after its co-creators, this innovative guitar started life as an L-5CES, with its solid carved spruce and maple body, block and flowerpot inlay, and multi-ply binding right down to the pointed end of the ebony fingerboard. But Hank and Billy wanted more. First, both the scale length and nut width were shortened, to create Gibson's fastest neck ever, specifically tailored to facilitate stretch chord voicings and lightning fast lead runs. Special pickups had to be fabricated to accommodate the narrower pole spacing as well. And finally, Hank had been playing a custom Stromberg with a slimmer body depth, and he asked Havenga to match it. The traditional body depth of Gibson archtops had been unchanged since the Loar era, but by April 4th 1955, Gibson ledgers recorded the creation of four L-5CES guitars with the handwritten designation 'special thin model'. Thus did the Byrdland become Gibson's first ever thinline guitar, pioneering one of the most popular and influential body designs of the modern era, and Hank and Billy's brainchild has remained in the catalog to this day.

In the late 90's Gibson's Epiphone division issued the Elitist series, a limited run of premium instruments built with solid spruce soundboards, ebony fingerboards and other top-shelf appointments, and crafted in the prestigious Terada factory of Japan. Both Broadway and Byrdland Elitist guitars became instant player favorites, but have since been taken out of production.